Critical Texts

RECENT PUBLICATIONS

The following publications represent a series of critical texts placed in otherwise conventional settings in preparation for the EO1 project ...

PUBLISHED – “The Absolute,” Amicus Curiae – The Journal of the Society of Advanced Legal Studies, Vol. 7, No. 2 (March 2026)

https://doi.org/10.14296/ac.v7i2.5885

PUBLISHED – Works for Works, Book 2: “No Rights” (Earth, Milky Way: Punctum Books, 2026)

https://punctumbooks.com/titles/works-for-works-book-2-no-rights/

PUBLISHED – “Illuminated Mirrors and ‘No Rights,’” International Journal for the Semiotics of Law: Religion & Subjectivities, Vol. 37, No. 4 (December 16, 2023)

https://link.springer.com/article/10.1007/s11196-023-10072-5

PUBLISHED – “Veronese,” Vesper: Journal of Architecture, Arts & Theory 8: Vesper (Spring-Summer 2023)

https://www.iuav.it/sites/default/files/2024-11/Vesper%20No.%208_Vesper_WEB_20_Keeney%2C%20Philippopoulos-Mihalopoulos.pdf

PUBLISHED – “The Debauched Commons: A Dark Parable,” International Journal for the Semiotics of Law: Towards Digitization of Cultural Practices and Contents: Issues, Limits and Legal Tools, Vol. 36, No. 5 (February 6, 2023)

https://link.springer.com/article/10.1007/s11196-023-09972-3

PUBLISHED – Works for Works, Book 1: Useless Beauty (Earth, Milky Way: Punctum Books, 2022)

https://punctumbooks.com/titles/works-for-works-book-1-useless-beauty/

PUBLISHED – “C’est la CEPT: Archiving the Archive” (découpage intégral), in Ashutosh Potdar and Sharmistha Saha, eds., Performance Making and the Archive (Delhi: Routledge India, 2022)

https://www.routledge.com/Performance-Making-and-the-Archive/Potdar-Saha/p/book/9780367195601

PUBLISHED – “The Art of Law (and the Law of Art) is Perpetual Crisis” (photo-essay), Jindal Global Law Review, Vol. 13, Issue 1 (2022), “Law/Crisis: Justice in Times of Catastrophe” (June 18, 2022)

https://link.springer.com/article/10.1007/s41020-022-00164-x